Guitar Center Strikes The Right Chord


By George Anderson
Guitar Center is a $1.51 billion business with 152 stores. Dan Courtenay, owner of Dan’s Chelsea Guitars a single-store independent in Manhattan calls it, “the Wal-Mart of the music world.”
As Guitar Center has grown, it has faced some of the same challenges of Wal-Mart and others, namely, “how to win the goodwill of the community that small businesses enjoy while at the same time taking advantage of the national organization’s deep pockets and economies of scale.”
According to a piece in The Wall Street Journal, the nation’s largest retailer of musical instruments has maintained a connection with its customer base of artists by developing a “series of contests that start out with musicians competing in their hometown stores for the privilege of eventually performing nationally before a panel of well-known judges — among them, Marilyn Manson’s guitarist and the drummer from Red Hot Chili Peppers.”
The contests run by the company, Guitarmageddon, Drum Off and Spin Off, work says Kyle Rogers, head of strategic partnerships and promotions development for Guitar Center, because: “Everyone has the dream of making a record.”
Winners have the opportunity to play before large audiences and they also are featured in press releases, mailings and on the company’s Web site.
Guitar Center also focuses on events such as battle-of-the-bands contests to maintain its role in local music scenes. According to the Journal, Guitar Center teamed up with Levi’s and Fader music magazine to sponsor a house in Austin, Tex. where local musicians could go and jam. The retailer handed out Guitar Center buyer’s guides and VIP cards to participants and the audience to drive store traffic.
Moderator’s Comment: What is it that makes Guitar Center successful? Are there lessons for other growing retailers than can be learned from Guitar Center?
We like it because it’s the closest thing we can get to a toy store. Where else can we go to play so many great guitars, as badly as we do, and nobody tells
us to stop. –
George Anderson – Moderator
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6 Comments on "Guitar Center Strikes The Right Chord"
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One takeaway for other retailers is obvious – innovative community events work! While letting customers perform for the chance to do so nationally obviously works only for music-type stores, there are plenty of other community events that work for a variety of stores. I remember a retailer telling me they held barbecues in their parking lots, partly for the fun it provided for their shoppers, and partly so Wal-Mart shoppers across the street would be enticed by the aroma. Another idea that’s all purpose is a carnival for kids – let the parents shop while the kids are amused.
The company has at least 3 great advantages: (1) sales are 4 times the #2 firm (Sam Ash) (2) suppliers have minimal bargaining power and (3) marketing is reasonably innovative. The retail musical instrument business is very fragmented (many small suppliers and small retailers), so being a chain of any size can be very helpful. When you don’t have strong competition, you can get sloppy. That’s the great danger for Guitar Center. They have to challenge themselves, since it’s unlikely they will be seriously challenged by others.
Guitar Center is successful because they have low prices and make their money on high volume.
They are unsuccessful, however, when it comes to a good customer experience. They generally have an unknowledgable staff and high turnover rates, making it a challenge to build relationships with customers. In addition, check-out is time-consuming, and often perceived as invasive, as customers are asked for their name, address and phone number on every purchase — even small ticket items like strings or picks. The customer then has to wait while the often inexperienced clerk enters this information into a byzantine computer system. If the customer refuses to provide his personal information, he still has to wait while the clerk enters an alternative code into the system.
Guitar Center is often compared to Wal-Mart because of their low price-high volume model and the fact that they put small music stores out of business in every community they move into.